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10 things Halston tells us about the fashion industry


The rise and fall of Roy Halston Frowick (Ewan McGregor), at one time one of the most prominent names in high-end fashion in the ’70s and’ 80s, is a warning about the sacrifice of creativity for profit. In Ryan Murphy’s Kaleidoscopic Netflix Miniseries Halston, the show gives an in-depth look at the fashion industry, revealing how mercurial it can be for someone struggling with their own identity.

RELATED: 10 Movies To Watch If You Love Halston

From creating Halston’s first clothing line for Bergdorf Goodman to selling it to JC Penney, fans learn what happens when a passionate and creative mind tries to have both creative control and financial freedom, among other fascinating lessons about the world of fashion.

ten A designer is only as good as his ability to sell himself

Halston (Ewan McGregor) strolling with Eleanor Lambert (Kelly Bishop)

When a young Halston tries to influence Bergdorf Goodman with his design ideas after the success of Jacqueline Kennedy’s pillbox hat, it becomes clear that a designer is only as good as his ability to sell himself. Being able to market their ideas and, more importantly, convince potential investors of the income they can generate, is essential to any brand building.

Later in the series, Halston charms potential investors for his new workspace and convinces them that a dingy warehouse can be turned into a fancy fashion studio. Halston’s ability to get people to believe in him and his brand was key to his early success.

9 Behind every great designer hides a great team

David Pittu walking in entourage with Ewan McGregor in Halston.

Although he came to believe that it was his talents alone that defined his fashion brand, Halston’s early career was filled with exceptional collaborators who contributed to the unique aesthetic that was “Halston”. Joe Eula, a renowned illustrator of the 60s and 70s, designer / model Elsa Peretti and aspiring designer (later director) Joel Schumacher were some of his early teams.

Unfortunately, Halston’s ego grew with his brand and he began to form creative differences with his closest associates. At the end of his life, he made amends by recognizing that one person cannot embody everything in a brand. Halston admitted that his inability to listen to his friends contributed to the downfall of his fashion label.

8 Inspiration comes from everywhere

Halston (Ewan McGregor) outfitting Liza Minnelli (Krysta Rodriguez) in Halston on Netflix

Like many fashion designers, Halston drew inspiration from the world around him. When he was little he found it making hats for his mother from pheasant feathers he collected from his garden. As an adult, something as simple as a piece of cloth blown around a refurbished statue on a walk in New York City could spark her creativity.

As he says in the series, “You can’t put a budget on inspiration!”, Indicating that finding the face of a garment is priceless when it can make the difference between becoming the next one. great success in the fashion world or a complete failure.

7 It’s a ruthless business (where very sensitive people have to work)

Halston (Ewan McGregor) fights for rights to his name in Netflix's Halston

As Halston discovered, the fashion industry could be ruthless. After he sold his line to Norton Simon, Inc., making money and not being innovative became the most important aspect of the design. He couldn’t take so many risks and, as he saw with his perfume bottle, he had to fight and justify every creative decision.

RELATED: Halston: 10 Movies & TV Shows Starring The Cast

Even though David Mahoney, Halston’s trusted business confidant, promised the fashion designer that he would always protect him from creative interference, Mahoney broke that commitment once he used the JC Penney deal to make the brand from Halston attractive enough to sell. Halston became very familiar with the phrase “It’s just for business,” which put his personal desires first out of the equation.

6 There is a narrow window for every trend

Halston (Ewan McGregor) in limousine with Victor (Gian Franco Rodriguez) in Netflix series Halston

Anticipating fashion trends is one of the most difficult aspects of the industry; what the public responds to one time will not be what they like the next. It’s best when a designer like Halston, who has always been on top of the cultural trend, can decide for them.

Early in his career, Halston thought he wanted to be the next Balenciaga, but he knew he would eventually have to make his own brand. When Calvin Klein dominated the denim market, the astute David Mahoney told Halston he had to make the decision to compete with Calvin’s designs. Sadly, Halston waited too long and the market was quickly saturated with designer jeans.

5 Being the first and being the best are different things

Halston (Ewan McGregor) outfitting Elsa Peretti (Rebecca Dayan) in Netflix's Halston

When Halston launched Halston Limited in 1969, its ready-to-wear line included soft fabrics that were the confluence of utility and luxury. This is where her iconic Ultrasuede clothing shone. Her ability to be the first with fresh and innovative ideas in fashion won her famous clients like Greta Garbo and laid the foundation for a multi-billion dollar empire.

RELATED: 10 Best Shows Like Netflix’s Halston

In the 1970s, when denim exploded in popularity, Calvin Klein’s blue jeans threatened to usurp the sophisticated Halston modality. It was then that Halston learned that you could either be the first and original, as he was with Ultrasuede, or be the best and the superior, as he intended to be. with blue jeans. But he had to do Something and waiting too long to make up his mind has cost him mastery of the denim market.

4 Licenses are lucrative (until they saturate the market)

Halston (Ewan Mcgregor) making a license announcement

Thanks to a lucrative deal with popular beauty brand Max Factor in 1975, Halston began releasing his eponymous perfume, and two years later it was making tens of millions in profits. After that, Halston’s name was on everything from luggage to lingerie. Despite its visibility, the brand did not increase its profits, which prompted Halston to make a desperate move.

In the early 1980s, he signed a licensing deal with JC Penney for $ 1 billion, a move that offered incredible expansion for the brand with affordable clothing and accessories. Unfortunately, this historic deal tarnished its reputation as a high-end designer, and expansion into mid-price chain stores made it appear cheap to its peers.

3 Fashion is a business, not an art

Joel Schumacher leaning against a wall, smoking

From the start of Halston Limited in 1969 until 1973, the Halston line grossed $ 30 million, enough for it to become the subject of interest to Norton Simon, Inc., to whom he sold it for $ 16 million but remained as a lead designer. . At this point, Halston had complete creative control but almost unlimited financial support.

Halston’s design method was often at odds with the board of directors of Norton Simon, Inc. Halston’s insistence on $ 30,000 for orchids to decorate his office or fly in a Concord jet to attend parties in Europe were expenses that society considered unnecessary. His eccentricities were only allowed as long as he produced a product according to their schedule.

2 People who make fashion decisions may not know anything about it

Halston (Ewan McGregor) taking a call in his office on Netflix's Halston

Whenever he needed financial support, Halston was at the mercy of investors who knew nothing about fashion as an art form. In his dealings with Norton Simon, Inc., this lack of knowledge became especially evident when his department was overseen by men who knew how to calculate profits but knew nothing about Halston clothing.

In order to have unlimited financial support, Halston had to compromise, and it gnawed at the sensitive part of him who believed in the more fluid concept of creativity. The only freedom was to be able to financially support his own efforts, but Halston’s excessive lifestyle with people like Victor Hugo made it impossible as he did not put his own money back into his business.

1 Never sell your name (it’s the only one you got)

Halston (Ewan McGregor) and Lisa Minnelli (Krysta Rodriguez) at Studio 54 in Netflix series Halston

Halston made millions of dollars licensing his name, something unheard of in the elitist fashion world where his brand was synonymous with art and good taste. At the time of his death, his worst fears came true: other designers he did not supervise put his name on products he did not create.

Halston’s pursuit of acceptance and love has taken him to heights of glamor and profit, but he has sacrificed his identity more with every business transaction. He realized that in life everyone had only their name to leave their mark in the world, and although he had made millions selling it, he would have paid “double to get it back. “.

NEXT: House Of Gucci & 9 More Upcoming Biographies

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Hyundai Motor Q2 net profit skyrockets, expects chip shortage to ease


SEOUL, July 22 (Reuters) – South Korea’s Hyundai Motor Co (005380.KS) posted its best quarterly profit in about six years on Thursday, helped by strong demand for its high-margin sport utility vehicles (SUVs) and its Premium Genesis Cars.

Hyundai, which along with its subsidiary Kia Corp (000270.KS) is among the world’s 10 largest automakers by sales, reported net profit of 1.8 trillion won ($ 1.57 billion) for April -June versus 227 billion won in the same period a year earlier.

That compares to an average analyst forecast of 1.6 trillion won compiled by Refinitiv SmartEstimate.

“Sales of SUV models and Genesis luxury brand models boosted sales volume, and lower incentives helped increase revenue and profitability in the second quarter, recovery underway after the global COVID pandemic -19 having boosted auto demand, “Hyundai said in a statement. .

This good result was also supported by conservative management of Hyundai’s supply chain, which has helped it deal with a global chip shortage better than many other automakers, analysts said.

But the prolonged shortage and other component supply issues have started to catch up with Hyundai, notably disrupting its production of electric vehicles. Read more

In April, Hyundai suspended production at a plant making the electric Ioniq 5 crossover due to chip and component supply issues. Read more

On Thursday, he said he expects year-over-year sales growth to slow in the second half of 2021 due to difficult business conditions, including fluctuating commodity prices and unstable supplies of China. automotive chips.

The automaker also said it expects the global chip shortage to gradually become less acute in the second half of the year, adding that it continues to partner with major semiconductor companies to maintain supply conditions. stable.

“These supply issues are expected to improve in the second half of the year,” said analyst Lee Jae-il at Eugene Investment & Securities, noting an improvement in supply forecasts last week by leading producer Taiwan Semiconductor Manufacturing Co Ltd (2330.TW).

The Taiwanese chipmaker said the automotive chip shortage will gradually ease for its customers from the current quarter, but expects the overall semiconductor capacity crunch to eventually continue until next year. Read more

Hyundai and its subsidiaries are in talks with local chip companies to reduce their reliance on foreign supplies, Reuters reported last month. Read more

Shares of Hyundai Motor, Asia’s fifth-largest automaker by market value, rose 0.2% after the company reported its results, compared to a 1% gain in the broad market (.KS11).

($ 1 = 1,149.3500 won)

Reporting by Heekyong Yang and Joyce Lee; Editing by Himani Sarkar and Christopher Cushing

Our Standards: Thomson Reuters Trust Principles.

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The “Sip and Shop” event will be held in Wolverhampton

Getting ready for ‘Sip and Shop’, are, left to right: Neo Chatyoka, owner Mercy Gwamura, Yolanda Gwamura and Lorraine Gbadegesiin, at Shalom hair salon, Wolverhampton

They will be able to get style and fashion advice as well as samples of beauty and hair care products at the event, which will be held between 12 p.m. and 6 p.m. on July 24.

A mother of three, Neo Chatyoka, 36, of Walsall, is a social worker at Birmingham City Council but is also the founder of a skin and hair care brand called Uhuru Botanicals.

She makes the natural and organic products at home and sells them primarily online and through Amazon and will showcase them at the show, owned by Wolverhampton mother-of-three Mercy Gwamura at the Sip and Shop event.

Neo said: “We will be offering the women free champagne, wine, cocktails and juices during the event.

“We wanted to organize the event to help women and mothers to have more confidence in themselves when coming out of confinement.

“I also hope the event helps bring the community together again now that the lockdown restrictions have been lifted.

“People will be able to taste and buy my products and will also be able to see what Lorraine Gbadegesin, mother of two and founder of fashion brand Loz Boutique, has to offer.

Also in attendance will be Dr Pamela Sweeney, from the Khaya Foundation charity, which donates clothes to children in Africa.

“We all connected through business and decided to host the Sip and Shop event to allow women to have a drink while taking the time to see the brands.

“We hope people will buy our products and get free style and fashion advice.

“There will also be the offer of daytime foot scrubs and people will also be able to purchase wigs and hair accessories.

“We hope that many women will want to attend the event and find out about fashion and beauty tips.”

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Confidence in the art market at its highest for seven years


Confidence in the market has reached its highest level since 2014, according to industry analyst firm ArtTactic – welcome news as the art world heads towards an as yet uncertain summer break. Conducted during the first two weeks of July, the biannual survey of 113 industry insiders finds an overall confidence level of 80.6 (out of 100), up from 44.6 in November and an all-time low of 6 in May 2020. The report finds that the pandemic, while disruptive, has “also been a catalyst for transformational change in the art market, creating more resilient and innovative business models across the industry.”

The auctions, which have done well publicly so far this year, have boosted the feel-good factor. The report also finds that confidence in gallery sales has gained significantly, “with the prospect of a busy physical art fair schedule this fall.” Planned fairs in New York, Basel, London and Paris are currently held six weeks apart, although the report also acknowledges uncertainties about such events given the advent of the Covid-19 variants.

According to ArtTactic, the three established artists who are expected to achieve the best results over the next six months are Yoshitomo Nara, Cecily Brown and Mark Bradford, while painters Lynette Yiadom-Boakye, Julie Mehretu and Njideka Akunyili Crosby.

Architect David Adjaye © Anoush Abrar

Musician-collector Swizz Beatz

Musician-collector Swizz Beatz © Nigel Parry

Launching a podcast may not be the most daring innovation of 2021, but The new bimonthly show of Art Basel, hosted by director Marc Spiegler, shows how art fairs have evolved from their beginnings as ephemeral annual events for commerce. “We’ve extended the art beyond being present for just three weeks a year,” said Spiegler, referring to the group’s in-person events in Basel, Miami and Hong Kong.

Like many others since 2020, the move to a year-round offering, when you want it, has been accelerated by the pandemic, which has forced fairs to build brand loyalty in new ways. The idea of Intersections: the Art Basel podcast stems from webinars hosted by Spiegler during lockdowns, he confirms, but relies less on listeners being in front of their computer screens. The group’s longtime sponsor UBS, which hosted the webinars, is also supporting the podcast.

The first half-hour episodes are available Monday and feature architect David Adjaye and musician-collector Swizz Beatz. Fashion designers and writers are promised for future episodes – all creatives with reach beyond the fine art world. Spiegler sees all of this as an addition to the gallery clientele of the fair group. “We are building on a foundation, rather than moving away from our past,” he says.

Art Basel also announced that 273 galleries were due to exhibit at its Swiss Fair in September, up from 290 at its previous in-person edition in June 2019. Only five galleries chose to exhibit remotely via a satellite booth, although the option to spend rest.

“Dial-A-Poem” by John Giorno (1970) © Collection John Giorno

UK residents will have the chance to Dial-A-Poem by performance artist John Giorno for the first time. Recordings of hundreds of artists reading their own poetry were made and published between 1968 and 2019, when Giorno died. Participants including Vito Acconci, Allen Ginsberg and Patti Smith. The project, which randomly selects poems for callers, was relaunched in New York last month and will be available to stream for free from a UK phone number from October 12.

“This work tells the story of when John lived in downtown New York City and when the art scene was at the intersection of performance, dance, poetry and art,” says Elizabeth Dee, Curator , organizer of art fairs and director of the John Giorno Foundation. She describes the Dial-A-Poem project as “the most important work he has ever created” and hopes to perform it “around the world”. The UK launch coincides with the artist’s first posthumous solo exhibition in London, which takes place at the Almine Rech Gallery from October 12 to November 13.

“Dead Nature” by Denilson Baniwa (2016-19) © Denilson Baniwa / Paradise Row

London’s state-of-the-art Paradise Row gallery, which closed after eight years in 2014, is returning. It will return in a different format, opening in September for just one year as a nonprofit. The plan is to donate 40 percent of sales revenue to artists and 20 percent to charities chosen by creators. Any additional profits, after costs, will also go to charities. Nick Hackworth, who will run the gallery alongside collector and curator Pippa Hornby, says: “I didn’t want to restart the gallery and do the same. This way we can have more social impact.

The opening show will be hosted by artist Shezad Dawood and features seven London artists of South Asian descent (Hawala, September 15-October 29). It will be followed by an exhibition of indigenous Brazilian art, culture and thought, curated by Sandra Benites, an anthropologist who was the first indigenous curator to be hired in a museum in Brazil (the Museu de Arte de São Paulo ).

The new Paradise Row space will be on Bourdon Street, Mayfair, a short walk from Gagosian, Sadie Coles’ head office and the Phillips auction house. Its owner, the Grosvenor Estate, is backing the gallery with what Hackworth describes as a “bargain” on a space vacated by fashion label Chalayan.

Rebecca ann siegel

Rebecca Ann Siegel © Brian J Anderson

Does anyone want to organize an art fair in the USA? Less than two weeks after the announcement of Noah Horowitz’s departure from the Americas Directorate for Art Basel, comes the news that Rebecca Ann Siegel, who has been in charge of the Frieze fairs in New York and Los Angeles for less than a year, also has decided to look for new pastures. . Siegel was the third person to lead the New York edition of Frieze, after founders Amanda Sharp and Matthew Slotover launched in 2011, and has never managed an in-person edition of the LA Fair, which was postponed this year. She doesn’t say what she’s going to do next but, as neat as it is, I’m sure she’s not going to replace Horowitz, or vice versa.

The art market the column takes a summer break and will return on September 4

To pursue @FTLifeArts on Twitter to discover our latest stories first

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After space flight, “Moneybags” Bezos admits workers “paid for it”


On Tuesday, Amazon’s fame Jeff Bezos, the richest individual in the world, briefly flew into space, along with three other companions.

The American media establishment, on the whole, vanished from the vision, celebrating “historic space travel.” The various experts, sycophants in the pay of the oligarchy, would congratulate Bezos if he proved that one and one equaled two (“What an innovation!” “What a breakthrough!”).

Mega billionaire Jeff Bezos’ rocket launched into space on Tuesday. (Source: Blue Origin)

Without particularity, the Washington post, owned by Bezos, published an opinion piece on Monday titled: “Billionaires’ space efforts may seem deaf, but these are important milestones.” The column said, “You may not like them, but the billionaires behind these private sector efforts have both the resources and the impatience with government bureaucracy to put Americans back into space.” , where they belong.

The WSWS completely debunked this bogus and self-serving argument, pointing out that “far from the plutocrats who advance space exploration, their activities represent a significant setback even from the scientific, technical and social achievements of 60 years ago. years, alone the colossal effort on the scale of the company which led to the moon landings in 1969-1972.

Right-wing commentators, meanwhile, have tried defensively, nervously, to argue that the flight of NS-16 represented the triumph of “American individualism, ambition, perseverance, technology, creativity and entrepreneurship ”. Reactionary veteran John Podhoretz, former speechwriter for Ronald Reagan and George HW Bush, ominously asserted in the New York Post (the personal property of fellow billionaire Rupert Murdoch) that “Bezos’ flight has now solidified a future that will feature private exploration of the universe beyond Earth and sea.”

Overall, however, the vision of Bezos buying his way just outside the stratosphere has inspired widespread indifference or open revulsion. These comments in response to a video of the brief theft were typical: “It’s a shame they had to bring it back”, “Amazon is going into space but my package is still taking a month”, “Look like the man who wrecks the business the world spends more on personal extravagance in 10 minutes than many of its employees will in their entire lifetimes! “,” Just give your employees better wages and working conditions, I’ll be more impressed. “

On the flip side, without the slightest hint of sincerity, various Democrat Party politicians have attempted to capitalize on the general public’s hostility to Bezos’ feat by offering meaningless criticism. The gist of the comments was summed up in Massachusetts Representative Katherine Clark’s suggestion that it was “time for billionaires to pay their fair share.”

As might be expected, Senators Bernie Sanders (Vermont) and Elizabeth Warren (Massachusetts) and New York Representative Alexandria Ocasio-Cortez made similar comments. All of these individuals are defenders of the profit system that produced malignant social inequality and allowed Bezos to accumulate more than $ 200 billion in wealth in a time of massive human suffering. Their comments, as they were supposed to, did not engage these cheap demagogues at all.

Bezos is a major financial and social parasite. In May, the media reported that he was purchasing “a 417-foot-long yacht that spans multiple decks and has three huge masts.” The ship also has a “support yacht” with a helipad. “The ship, known only as Project 271, would cost around $ 500 million. “In February 2020, Bezos purchased the Warner Estate in Beverly Hills for $ 165 million,” the most expensive home sale in [California] the history of the state. A few months later, Bezos bought “a $ 10 million house that shares a hedge line with the Warner Estate.”

According to Bezos, Blue Origin, the aerospace maker and suborbital space flight services company he founded, has already sold nearly $ 100 million worth of tickets for future passenger flights. At a public auction, a seat on the first theft fetched $ 28 million.

A commentator (at Microphone ) noted that, taking into account the median salary of Amazon workers, the average worker earned around $ 2.75 “during the 11 minutes his former CEO left Earth,” while the latter increased his wealth up to $ 1.57 million.

Claims that Amazon’s founder’s space flight was a pioneer, and that he is obsessed with climate change and “saving the world” need to be put in proper context.

Nonetheless, something revealing came out of the sordid excursion on July 20. After Bezos returned to Earth on Tuesday, at a press conference, Bezos explained that he wanted to “thank a few people.” The former Amazon CEO first paid tribute to the engineers at Blue Origin and the people of Van Horn, Texas, where he owns hundreds of thousands of acres.

Bezos then observed, “I also want to thank every Amazon employee and every Amazon customer because you paid for all of this. So seriously, to every Amazon customer and every Amazon employee, thank you from the bottom of my heart. It’s very appreciated.”

The words have drawn criticism, even in the submissive American media, for their odd inappropriateness and provocation. In 1682, when the Palace of Versailles was spacious enough (with some of its solid silver furniture) for Louis XIV and his family to settle there, the king likewise expressed his gratitude to French citizens : “After all, you paid for all that”?

Bezos’ comment evoked an image of Amazon employees, in an act of collective generosity, happily lending themselves to sending their boss into space. However, there are very few things that are truly willing to go and work for Amazon. That over a million people work for the giant company is more a comment on their economic desperation than anything else. “I work for Amazon” is something that company employees in the United States and elsewhere often spit out angrily, bitterly, sometimes interrupted by a curse, as if protesting a prison sentence.

The WSWS has extensively documented the grueling conditions of Amazon’s facilities. A RevealNews commentary in 2019 noted the accumulated injury records “at 23 of the company’s 110 distribution centers nationwide.” Overall, the serious injury rate for these facilities was more than double the national average for the warehousing industry: 9.6 serious injuries per 100 full-time workers in 2018, compared to an average of industry that year of 4. “

The report notes that “several former workers have said they have to break safety rules to keep pace. They would jump or stretch to reach an upper basket instead of using a stepladder. They twisted and bent to grab boxes instead of taking the time to squat and lift with their legs. They hoisted very heavy objects on their own to avoid wasting time getting help. They had to, they said, or they would lose their jobs. So they took the risk.

“Then if they were injured,” the report continued, “they would lose their jobs anyway. Even some workers who liked the pace, camaraderie and pay of Amazon fulfillment centers told Reveal they were quickly replaced as soon as their bodies collapsed.

Bezos was telling the truth when he mentioned that Amazon workers were responsible for all of his fortune. They wear out their body and destroy their health to generate its wealth. Or, as another reviewer (at Vice ) argued graphically: “Bezos was able to go to space because Amazon pushes workers so hard they miscarry, pass out in heat waves, work ten-and-a-half-hour shifts in the cemetery called “megacycles”, piss in bottles and defecate in bags, and much more.

Everything here is a confirmation of Karl Marx’s analysis of the capitalist system, made over a century and a half ago. In Capital, volume 1, Marx explained that “in order to be able to extract value from the consumption of a commodity, our friend Moneybags must have the chance to find, in the sphere of circulation, on the market, a commodity whose use value possesses the particular property of being a source of value, the actual consumption of which is therefore itself an embodiment of work and, consequently, a creation of value. The possessor of money finds in the market such a special commodity in capacity for labor or labor power.

“Moneybags” Bezos and the rest of the American elite confirm Marx’s analysis across the board. Through their brutality and exploitation, as well as their obscene consumption and antics, they teach workers to hate capitalism and capitalists, thereby hastening the end of their own system. Among the workers, explain the founders of socialism, Marx and Friedrich Engels, “What the bourgeoisie produces above all, therefore, are its own gravediggers. Its fall and the victory of the proletariat are also inevitable.

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The size of the equestrian clothing market 2021 is booming in the world | UVEX, Mountain Horse, Decathlon, Pikeur, Shanghai Goldtex Clothing & Bags Co. Horseware, GPA


New Jersey, United States, – The final report will add the analysis of the impact of COVID-19 on this sector, The Equestrian Clothing market evolves several times, due to a combination of effects resulting from the expansion of new technologies, new tactics and increased competition. For example, the equestrian clothing market has become popular in recent years. Additionally, the Equestrian Clothing market environment continues to evolve to reflect changing realities and increasing competition.

Competitive landscape

The Equestrian Clothing report presents a holistic investigation of the Equestrian Clothing business mechanism and growth-driven approaches undertaken by leading companies operating in this market. The report highlights the numerous strategic initiatives, such as new business deals and collaborations, mergers and acquisitions, joint ventures, product launches and technology upgrades, implemented by the major market competitors for their s’ firmly establish itself in the market. Therefore, this section includes the company profiles of major players, total revenue accumulation, product sales, profit margins, product pricing, sales and distribution channels, and analysis of the industry.

Key players in the equestrian clothing market:

  • UVEX
  • Mountain horse
  • Decathlon
  • Pikeur
  • Shanghai Goldtex Clothing & Bags Co. Horseware
  • GPA
  • Ariat
  • Kerrits
  • Noble outfitters
  • Devon-Aire
  • SSG gloves
  • Step
  • Speaking
  • Equetech
  • Equidorf

Equestrian clothing market segmentation:

The global Equestrian Clothing market report is divided by many aspects into respective segments and their sub-segments. Several possible, existing and previous growth trends for each segment and sub-segment are covered in the global Equestrian Clothing market. For the forecast period 2021-2028, the segment offers accurate forecast and calculations in terms of volume and value. This will allow the user to concentrate on the important segment of the market and the factors responsible for its growth in the Balance Charger market. The report also illustrates the factors responsible for the low or steady growth rate of other segments of the Equestrian Clothing market.

Equestrian clothing market breakdown by type:

  • Clothing
  • Helmets
  • Boot
  • Gloves

Equestrian Clothing Market Split By Application:

Scope of Equestrian Clothing Market Report

Report attribute Details
Market size available for years 2021 – 2028
Reference year considered 2021
Historical data 2015 – 2019
Forecast period 2021 – 2028
Quantitative units Revenue in millions of USD and CAGR from 2021 to 2027
Covered segments Types, applications, end users, etc.
Cover of the report Revenue forecast, company ranking, competitive landscape, growth factors and trends
Regional scope North America, Europe, Asia-Pacific, Latin America, Middle East and Africa
Scope of customization Free customization of the report (equivalent to 8 working days for analysts) with purchase. Add or change the scope of country, region and segment.
Price and purchase options Take advantage of personalized shopping options to meet your exact research needs. Explore purchasing options

Analysis of the Regional Equestrian Clothing Market can be represented as follows:

In addition to segmental breakdown, the report is strongly structured into a study by region. The researchers’ comprehensive regional analysis highlights key regions and their dominant countries accounting for a substantial share of the Neem mining market revenue. The study helps to understand how the market will perform in the respective region while also mentioning the emerging regions which growth is a significant CAGR. Here are the regions covered by this report.

Geographic basis, the global equestrian clothing market has segmented as follows:

  • North America includes the United States, Canada and Mexico
  • Europe includes Germany, France, UK, Italy, Spain
  • South America includes Colombia, Argentina, Nigeria and Chile
  • Asia-Pacific includes Japan, China, Korea, India, Saudi Arabia and Southeast Asia

Visualize Equestrian Clothing Market Using Verified Market Intelligence: –

Verified Market Intelligence is our BI platform to tell the story of this market. VMI provides in-depth predictive trends and accurate insights into over 20,000 emerging and niche markets to help you make key revenue impact decisions for a bright future.

VMI provides a comprehensive overview and global competitive landscape of regions, countries, and segments, as well as key players in your market. Present your market reports and findings with built-in presentation capabilities, delivering over 70% of time and resources to investors, sales and marketing, R&D and product development. VMI supports data delivery in interactive Excel and PDF formats and provides over 15 key market indicators for your market.

The study thoroughly explores the profiles of the major market players and their main financial aspects. This comprehensive business analysis report is useful for all new entrants and new entrants as they design their business strategies. This report covers the production, revenue, market share and growth rate of the Equestrian Clothing market for each key company, and covers the breakdown data (production, consumption, revenue and market share) by regions, type and applications. . Historical equestrian clothing distribution data from 2016 to 2020 and forecast to 2021-2029.

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We talk about solutions for logical research, personalized consulting and data severity analysis across a wide range of industries including energy, technology, manufacturing and construction, chemicals and materials, food and drink. Etc. Our research studies help our clients make more data-driven decisions, admit push predictions, grossly capitalize on opportunities, and maximize efficiency by acting as their belt in crime to adopt a mention precise and indispensable without compromise.

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Local multi-million dollar clothing industry is dormant


China dominates the export market

Although the Ghanaian garment industry is seen as a major path to industrialization, the Ghana Export Promotion Authority (GEPA) said that low-cost, high-volume competing garment exports from China and other Asian countries in the world market continually exceed Ghana’s exports.

The outlook for the sector is linked to the relative speed with which it can be set up and the significant impact on job creation, particularly in industrial settings.

Despite the many opportunities available to industry in Ghana – including unexplored niches in the global market such as the original Woven Kente, the market potentials of the diaspora; proximity to global clothing markets – Europe and America; and the existence of bilateral and regional trade agreements such as the Africa Growth and Opportunities Act (AGOA) and the African Continental Free Trade Area (AfCFTA), inadequate promotion of Ghanaian textiles and Afrocentric fashion in the traditional clothing channels abroad remains a scourge of the sector.

Currently, the industry employs over 6,000 Ghanaians and exports over US $ 30 million on average per year. The sector’s export revenue in 2020, according to GEPA, was US $ 43 million, compared to US $ 137.4 billion in clothing and accessories that China alone exported to the market last year. American.

But GEPA, in its 10-year national export development strategy for the non-traditional export sector, says its export earnings for 2021 are expected to reach $ 52 million by December.

The authority indicates that it is currently reviewing the financial situation of existing clothing companies in order to roll out a financing program to meet the financing needs of the industry.

GEPA said it will also provide strong capacity building and financial support to upgrade the members of the Ghana Garment Manufacturers Association to become a self-sustaining national industry. There are approximately 14 local garment manufacturers who export primarily to the United States under AGOA.

In a divergent way, Afrocentric products and clothing – which fall under the products of the creative arts industry, do not seem to have been highly prioritized by the Ministry of Tourism, Arts and Culture (MoTAC) in recent years, and even currently.

Although Ghana has the potential for a vibrant and thriving creative arts industry – from music, fashion, theater to architecture, visual arts and design – the focus is still on developing talent. in the music industry to the detriment of other niches.

However, GEPA believes that a concerted effort and strategic partnerships with key industry players and institutions would greatly increase the prospects for the sector. Thus, the authority seeks to promote and support investments, including FDI in industry, with the production of accessories and intermediate products such as zippers, yarn, cotton and synthetic fabrics in the framework of key policy interventions to further increase export trade revenues.

PATRÓN partners with designer John Geiger to launch streetwear collection celebrating tequila and Mexican art


Take your love of tequila to the next level with PATRÓN’s latest collaboration with acclaimed designer John Geiger. Just in time for National Tequila Day, a limited edition streetwear collection inspired by Mexican street art history is launched.

The PATRÓN x John Geiger streetwear collection is inspired by the work of Mexican street artist SENKOE, who designed the tequila brand’s limited edition 2021 Mexican Heritage Tin. The PATRÓN 2021 Mexican Heritage Box is covered with a unique design that depicts the Tree of Life intertwined with vivid images of the creation of the universe.

Senkoe’s work draws inspiration from many things, especially pre-Hispanic art and the dream world. Other inspirations come from botanical illustration, literature, comics, cartoons, nature and the sea. During his career he has so far collaborated with brands like Converse, Illegal Squad and with TV channels like Exa TV and HBO.

According to Gallery 19, “Senkoe’s work is a continuous reference to the identity discourse present in the use and reinterpretation of pre-Hispanic aesthetics, the use of textiles and artisan references in imaginary, mystical and typical pre-Columbian cultures, mixed with current references such as pop culture, graphics and illustration.

That said, the collection and overall collaboration epitomizes the intersection between streetwear and street art while also showcasing the mastery of creating a work of art, a fashion collection, and a handcrafted tequila. .

“Over the past five years, PATRÓN has released a limited edition Mexican heritage box that visually shares Mexican history, traditions and culture through lively designs created by local Mexican artists. With this year’s theme showcasing Mexican street art, we collaborated with fashion designer John Geiger to showcase the parallels between street art and streetwear from SENKOE. said Chloe Lloyd-Jones, Vice President of PATRÓN Tequila in North America, PATRON Tequila.

“The Mexican Heritage Box allows us to pay homage to our home and our Mexican roots while celebrating the craftsmanship and attention to detail required to develop our tequilas. We are delighted to collaborate with two extremely talented designers who share the same level of commitment and passion for their craft.

The collection includes a long-sleeved shirt with an image of a Jimador farmer harvesting the Blue Weber agave from which tequila is made and collectible socks, all incorporating the bold color accents of John’s signature. The PATRÓN x John Geiger streetwear collection will be available for purchase starting July 24 at JohnGeigerCo.com. Available in limited quantities, socks retail for $ 30 and long-sleeved shirts for $ 85.

“In designing the PATRÓN x John Geiger streetwear collection, I took inspiration from the rich and colorful history of Mexican street art in the design of SENKOE for the Mexican heritage box and the PATRÓN handcrafted heritage. Over the years, I have admired SENKOE’s work and how passionate he is about where he comes from, using his murals to reclaim and beautify public spaces. John Geiger said.

“I wanted this collection to represent the dedication that goes into craftsmanship – whether it’s a bottle of PATRÓN tequila or a one-of-a-kind mural. There is so much dedication and character behind Mexican culture, and as a local artist it is inspiring to see SENKOE convey it through his work. With streetwear, it’s important to bring all aspects of cultural influences together and the PATRÓN x John Geiger collection reflects this by paying homage to the hard-working people who create PATRÓN tequila from start to finish.

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This Bengaluru-based startup aims to be “the Amazon of circular fashion”


The passion of American engineers Ashri Jaiswal and Varun Ramani for fashion and the circular economy brought them back to India to launch seZiniosasein 2018 to make luxury fashion accessories accessible to the Indian public.

A graduate in engineering management from George Washington University, Ashri talks about a time when she always bought new clothes before the holidays since her childhood.

Varun Ramani and Ashri Jaiswal, co-founders of Ziniosa

“It was neither durable nor easy to use. Once when I went to Hawaii for a vacation I came across “Rent the Runway” and bought a few outfits from there because I couldn’t afford to buy new things every time. . I had just landed my first job and was living on my own in the United States, ”she says. His history.

This experience became the basis of Ziniosa. Founded in 2018, Ziniosa rents and resells luxury fashion accessories such as shoes, handbags and sunglasses from brands such as Prada, Gucci and Louis Vuitton.

Luxury fashion decryption

The duo spent about a year interacting with customers and researching before officially launching the startup.

Passionate about fashion, Ashri says that despite her wardrobe full of clothes and accessories, they still feel like they have nothing to wear, and she wanted to solve that problem.

However, digging deeper into and talking to shoppers outside of malls across cities highlighted four clearly defined issues.

She says affordability is the number one barrier preventing a large portion of shoppers from taking advantage of luxury brands, as these brands increase their prices by 25% every year.

The duo also noted that while luxury shoppers were on the rise in India, there weren’t any online stores for the same, just a handful of stores in cities like Delhi and Mumbai.

Ashri says Millennials are a whole different demographic whose life on Instagram dictates that they don’t repeat the same outfits and accessories.

“Many, interestingly, told us that they would get a dress in the malls, wear it without removing the tag, and make the same. That’s how important it is for them to be seen in a different outfit or handbag, ”she explains.

The fourth and most disturbing of all is that these consumer trends have made fashion the second most polluting industry in the world.

The founders therefore felt that Ziniosa could be a solution that meets the needs of the public while helping to build a circular economy.

When in doubt, talk to customers

What started as a subscription rental model has pivoted twice to meet customer needs.

When the startup was selected to incubate at IIM Bangalore’s NSRCEL Entrepreneurship Center, the mentors asked the founders to break away from their assumptions about how clients want things and talk to around 1,000 people for a while. weekend.

“We opened a pop-up at the JW Marriott in Bangalore, spoke to about 500 people and found that people didn’t want a subscription model. They wanted to grab and rent anything on the website, just like any other ecommerce platform, and we made the first hub in 2019, ”recalls Ashri.

“Become completely agile and do what customers want” was the advice that continues to guide Ziniosa today.

Plus, weddings are one of the main reasons the rental of luxury accessories has thrived. But with the COVID-19 pandemic putting an end to large Indian marriages for good and resulting in smaller and more intimate marriages, Ziniosa has started to lose clients and sales.

However, noting that many were looking to sell luxury goods, the startup began testing its now successful model of reselling “pre-loved” accessories by auctioning them off on Instagram.

In 2020, Ziniosa adopted the resale model with a detailed pricing method, where sellers must send photos of authenticity with the purchase price, and Ziniosa’s stylist calculates a sale price based on the condition.

This varies between Rs 15,000 and Rs 5 lakh, while the rental model charges users 8-10% of the MRP. To increase the inventory of its resale model, the startup bought products from its competitor who was closing his store.

“It really helped us get through the pandemic because so much has changed including the fact that the population doing luxury shopping on a regular basis could not travel overseas initially and started shopping for the pre-items. loved ones, ”Ashri said.

In FY21, it recorded 4.7% sales growth. Bootstrap with Rs 20 lakh, the startup reached the breakeven point in March 2020.

Embrace the praised and pre-loved fashion

“One of the biggest challenges we still face is that a lot of people don’t like to share the rented accessory. We’re trying to solve this problem through community building efforts and collaborations with influencers who believe in pre-loved articles for a circular economy, ”she says.

In fact, Ziniosa worked with Ami Pandya, a bride on the Netflix reality show Big Day, and now has all of her bridal clothes and accessories for sale on the platform. She also suggested that the proceeds from the sale go to the NGO The Railway Children fund.

In the future, Ziniosa hopes to grow further and hire more in the marketing and sales team. It also aims to grow beyond accessories and venture into portfolios such as clothing and become “the Amazon of circular fashion”.

“We also want to explore Southeast Asian markets like the United Arab Emirates to supply them with products, as there is a lot going on in the region when it comes to luxury. If they are ready to sell, I think there is a huge audience in India ready to buy, ”she says.

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Natalie Barbu on Lifestyle Products in a “Realistic” Morning Routine


Natalie Barbu, 25, is not just a lifestyle vlogger. She is a content planner, strategist and producer with a 360 degree focus on the industry. With her YouTube channel of 297,000 subscribers, her podcast “The Real Reel” and her social media consulting company, WeBloom Social, she’s unstoppable.

“The internet is a highlight, and you usually only see on people’s good days,” she told The Post. “While you want to share this and celebrate all of your heights, it’s also important to show people that you are not all you are. People compare themselves online – I’m guilty of that too – so it’s really important to be genuine and show all the time that it’s not real life.

“There are highs and there are lows. “

Barbu graduated from North Carolina State University with her BS in Industrial Engineering and transferred the skills and relationships she formed at the university to develop her new app, Rella, available for download this fall. . It’s an extension of his social media agency, WeBloom Social.

“I wanted a way to work across the influencer industry – to help brands connect with influencers and create campaigns that will reach their audience and help their business,” she adds. . “I’ve always worked as an influencer, so I wanted to help brands facilitate influencer relationships and brand deals. Many small businesses didn’t have access to these influencers for work, but WeBloom allows them to tap into them.

Nathalie Barbu

With her recent move to Miami, the autodidact is modernizing the 21st century approach to content creation – expanding across different platforms and maintaining the authenticity she’s known for. Her “Real Reel” podcast, both in name and in meaning, couldn’t be a more perfect example of her mission to share real stories.

“While I love listening to entrepreneurship-focused podcasts with multi-million dollar business owners, people sometimes gloss over their struggles and, while inspiring, they don’t feel that close.” , she said. “I wanted to interview my friend who is a doula, my cousin in high school and a photographer that I knew – it’s not because you don’t have a lot of followers or that you aren’t super rich. that you don’t have a story to tell. share.”

That’s not to say Barbu doesn’t feature established guests on his show either. Two of her favorite episodes are with Summer Fridays founder Marianna Hewitt and Remote HQ founder Waikit Lau. And, to this day, she still cherishes her podcast with her best friend who is a teacher.

“When I interview business-oriented people I tend to ask people about their backgrounds – their childhood, their first job, how they got into the industry – because I think it’s more relevant. that ‘Hey, I’m the CEO of this company,’ ”she explained.

Not only does Barbu bring value through glimpses of her intentional days, but she always tries to portray all of her passions in one video stream.

“I’m a very versatile person in the sense that I don’t want to just post about productivity, business and entrepreneurship,” she said. “I want my channel to have a holistic view of who I am, so I’ll post how I started a business, along with my beauty routine and fashion looks.”

Showcasing some of Barbu’s favorite fashion looks, essentials of her morning routine, and just items she can’t live without, read on to find out about the best products she loves.

Natalie’s Top 5 Favorite Products

Sony ZV-1 digital camera for content creators, $ 698

Sony ZV-1 digital camera for content creators

“My Sony camera is my number one, my absolute favorite because I go everywhere with it,” Barbu said. “It’s compact, so I can fit it in smaller bags, but it delivers great cinematic quality. “

AICook Citrus Juicer, $ 48.99 (originally $ 52.99)

AICook citrus juicer

“I juice three to five times a week and my juicer saves so much money,” she said. “If you go out and buy juice, it’s about $ 10. You can make a juice in the morning, keep it in the fridge and it is so easy to clean.

Kindle Paperwhite, $ 84.99 (originally $ 129.99)

Kindle Paperwhite

“I thought I had to read a physical book, but my Kindle is so much nicer to have,” she said. “I love non-fiction books, especially those on entrepreneurship.”

Bala Weighted Bracelets Set, $ 39.20 (originally $ 49)

Set of weighted bracelets Bala

“I love Bala weighted bracelets and use them a lot with Melissa Wood Health workouts,” Barbu said. She said Wood’s Pilates workouts “completely transformed her fitness routine,” as well.

Our Place Always Pan, $ 145

Our place Always Pan

“I don’t use anything other than my Always Pan,” she said. “I wash it about three times a day because I do everything on it. This is the best pan ever.

Natalie’s favorite products in her morning routine

Vital Proteins Collagen Peptide Powder, $ 42.98 (originally $ 49.99)

Vital Proteins Collagen Peptide Powder

“I use Vital Proteins collagen in my coffee every morning,” said Barbu. “It helps grow my hair and nails and keep my skin clear. “

Don Flor coffee by Berni Bean Coffee Co., $ 19.99

The Berni Bean Coffee Co. Café Don Flor

“I use whole beans for coffee because I don’t have my Keurig or Nespresso anymore,” she said. “My best friend started a coffee business called Berni Beans, and I only use her beans. They are so good, durable, and support the rainforest. I try to support small businesses when I can.

Active x Revolve Leggings Set, $ 65

Leggings Set Active x Revolve

“My absolutely favorite workout sets are from Set Active,” she said. “I no longer wear non-sets.”

Half-gallon water bottle with H20 capsule, $ 30.99

Half gallon water bottle with H20 capsule

“My half-gallon water bottle is something I take everywhere,” she says. “It has a strap on it so I wear it like a purse and it helps me drink more water throughout the day.”

Gisou Honey Infused Hair Oil, $ 87

Gisou honey hair oil

“I love Gisou Hair Oil because it makes my hair look beautiful, wavy and not frizzy – especially in Miami with high humidity,” she said. “It makes my hair look beautiful without doing anything about it.”

Gisou also has a miniature version of the hair oil for $ 25.

Latme Ice Cream Roller, $ 12.99

Latme Ice Roll

“My ice roller stays cold long enough and deflates my face in the morning,” she said. “I freeze my face after my serum to help it absorb too.”

Official Whimsy Halcyon Botanical Serum, $ 95

Official Whimsy Halcyon Botanical Serum

“I love using oil-based serums on my face because it makes my skin glow all day long, even when I’m on my makeup,” she said.

Sun Bum SPF 30 Mineral Facial Sunscreen Cream, $ 14.39 (originally $ 17.99)

Sun Bum Mineral Facial Sunscreen SPF 30

“I use Sun Bum Mineral Facial Tint with SPF 30 in the morning and it’s a great product in my morning skincare routine,” she said.

Natalie’s Favorite Lifestyle Products

Apple AirPods with Wireless Charging Case, $ 149.99 (originally $ 199)

Apple AirPods with Wireless Charging Case

“Whenever I work outside of my home I have to have my AirPods on because I have a lot of meetings throughout the day.”

Women’s Verdusa Sexy Triangle Two-Piece Bikini, $ 20.99

Women's Verdusa Sexy Triangle Two Piece Bikini

“Now that I’ve moved to Miami, I’m stocking up on swimwear,” she said. “Amazon’s are really affordable and of good quality. “

Fenty Beauty by Rihanna ‘Fenty Glow’ Universal Lip Illuminating Gloss Bomb, $ 19

Fenty Beauty by Rihanna 'Fenty Glow' Universal Lip Illuminator Gloss Bomb

“My favorite lip gloss is Fenty ‘Fenty Glow’ lip gloss,” she said. “It’s a shimmering pink nude and the best of Fenty.”

2021 11-inch Apple iPad Pro, $ 749 (originally $ 799)

2021 Apple iPad Pro 11 inch

“I do my thumbnails on my iPad Pro so it’s nice to have with me and one of my favorites,” she said.

Sennheiser Pro Audio e935 dynamic cardioid handheld microphone, $ 194.27 (originally $ 249)

Sennheiser Pro Audio e935 Dynamic cardioid handheld microphone

“My podcast microphone is great because it’s portable so I can sit and record rather than being on a desk,” she said.

Veja + Net Sustain Campo leather and suede sneakers, $ 140

Veja + Net Sustain Campo sneakers in leather and suede

“I was a big Air Force 1 girl, but I’ve moved to Vejas now, which I love,” she said.

Revlon One-Step Hair Dryer and Volumizer, $ 39 (originally $ 59.99)

Revlon One-Step Hair Dryer and Volumizer

“It’s so easy to use my Revlon One-Step hairdryer,” she says. “Every time I go somewhere I only bring this because it’s so much easier to do my hair with that.”

Warby Parker Crystal Haskell Blue Light Goggles, $ 95

Warby Parker Crystal Haskell Blue Light Sunglasses

“I love my Warby Parker blue light blocking glasses because I’m always in front of the computer,” she said.

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